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Triptych stained glass window on the history of the Episcopal Church, with John Wesley, Washington National Cathedral and William Porcher DuBose, All Saints' Chapel, Sewanee
No. 79 ·

All Saints' Chapel, University of the South: 8 Stained Glass Triptychs

Stained Glass · Sacred Art
By
Stevan Stanišić | Studio Stanišić
Mila Apperlo | Apperlo Art
Year
2001
Reading
1 min

All Saints' Chapel is the Gothic chapel at the heart of the University of the South in Sewanee, Tennessee. For the chapel, Brenda Belfield designed 8 triptych style stained glass windows depicting biblical scenes and the history of the Episcopal Church in America. Stanisic Art Glass Studio fabricated and installed every window.

Designed by Brenda Belfield

Completing the project took 9 years, about 1 triptych per year. The windows follow the old English style, with intricate border patterns and dominant reds and blues, and every piece of glass was hand painted and kiln fired.

The nave of All Saints' Chapel at the University of the South in Sewanee, Tennessee, with its stone vault, rose window, organ and stained glass clerestory windows

The chapel

Most of the chapel's stained glass was made by J. Wippell and Co. of Exeter, England, which received the contract for most of the windows in 1958. Artists who contributed over the years include Arthur Erridge, Fredrick Cole and Brenda Belfield.

The University of the South, known as Sewanee, was founded by leaders of the Episcopal Church in 1857. Its campus covers about 13,000 acres atop Tennessee's Cumberland Plateau, between Chattanooga and Nashville.

A row of triptych stained glass clerestory windows above the arcade of All Saints' Chapel in Sewanee, Tennessee

The windows

Each triptych tells its story in 3 tall lights crowned with tracery: figures and scenes from the Old Testament, the wisdom books and the prophets, and the people and places of the Episcopal Church in America, from John Wesley to Washington National Cathedral.

Hand painted details

Every face, garment and border was painted by hand onto the glass and fired in the kiln, the traditional technique that gives the windows their depth and fine line.

From the installation, 2 photos we treasure: Stevan Stanisic on the scaffolding, setting the windows in place.

See more of our stained glass commissions and sacred art.

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